Help With Ballerina Pose Even If You Have Dinosaur Arms

So here’s a recent picture of me stretching my shoulders.

Trexbig

And here’s a picture of me FINALLY doing a ballerina after years of frustration.

ballerina

 

The difference was a teacher who flat out admitted “this pose is not for everybody,” and that she struggled with it for years before getting it because of her specific build. How encouraging is it for pole goddesses to say stuff like that? “Not every pose is going to be right for your body, and that’s okay”??? I love it. <3<3<3 Kelly!!!!

So anyway, even if you DO have shoulder flexibility, chances are you’re going to be in that forward fold just reaching fruitlessly for pole and finding air. This doesn’t look super cute but it’s also scary and extremely frustrating when you’re already in an uncomfortable position and high off the ground. So these are Kelly’s tips for getting yourself a sweet, sweet handful of pole on the first try and  locking into the pose comfortably (and safely). Worked for me, and again–I have no shoulder flexibility. So I’m fairly confident that this will be helpful to most people!!

So to get started, take a climb or two, release your arms, and wrap your body around the pole in the same direction as your front leg. If you’re climbing with your left leg in front, you’ll be leaning towards your left, twisting over your left shoulder, and grabbing the pole overhead with your left arm. Now you’re ready to tweak a little and make this easier.

Lean ALL the way over the pole

A halfway bend won’t do you any favors. Commit to touching your toes in that forward fold before attempting anything else.

Twist your torso

This is a huge assist toward getting that grab and doesn’t require crazy shoulder flexiness.

Turn your body at the waist and look back towards the pole as you reach down between your knees to grab with your outside hand and get ready to grab with your inside hand. Which reminds me…

Make room for your lower handballerina prep

Don’t be afraid to loosen your knees a bit on the pole to make room to grab with your lower hand. Kelly says this also gives you a little more room to twist and reach behind you. As you can see from this janky pic taken right before or right after the money shot (I’m not sure which), my knees are a bit open and I’m relying more on my ankles and shins for grip. According to Kelly, this is totally okay and you shouldn’t be afraid to do it (despite your instincts telling you to grab on for dear life with everything you’ve got).

Make T shape with your outside arm before reaching back to grab the pole

I don’t know why this helps but it does. If you don’t believe me, try doing the T shape first and then grabbing the pole vs. doing a backstroke motion and grabbing. Even if you have super flexible shoulders, the first should be a lot easier than the latter. And done slowly, it can look just as lovely and dramatic.

Once you’ve made contact, rotate your shoulder back and slide your hand up the pole to lock in

You’ll know you’re doing the rotation right if you’re exposing MORE armpit, not less, and you’ve made contact with your lat on the pole. Solid! Now you’re in a shoulder-safe position to let go.

I know this pose comes super easy for some people, and for others its a total nemesis move. Have you tried it? What do you think? Even if you can get into the pose it’s a little rough on ya, right? (Looking at my underarm bruise as I type this, haha).

Good luck and please share any tips you have for getting in (and out) of this pose safely and cute-ly.

And have no shame in your dinosaur arms. It’s a lifestyle!

TRex Arms

Back to School–I Got to Make a Video!

So the less stressful dealing with Adobe Premiere gets, the more it seems I enjoy video assignments as homework. This one was quite fun!

The project was a 30-40 second bio video that either shows your likes and dislikes or a special skill.

I’ll bet you can guess which one I picked ;D

Me and my used-used AC (meaning, I got it used from somebody who also got it used) were not really enjoying this heat dome thing, so my pole was a bit of a slip and side. BUT, a few insights: Urban Decay No-Slick Makeup Setting Spray will allow you to sweat THROUGH your makeup (????) somehow but keep the makeup in place for the most part. I mean I was honestly dripping from the face and toweling myself with a rag, and my makeup looked good enough at the end of a three hour shoot that we decided to take advantage of the lights and nice set up to snap a few headshots. My application technique, if you’re curious, was basically: foundation–spray the shit out of my face–powder–spray the shit out of my face–blush/bronze/eyes–spray the shit out of my face–and then one more spritz at the end for luck. $28 well spent. I had a little wear around my hairline where I was aggressively rubbing with a towel, but otherwise, nothing moved.

These were taken at the end of an EXTREMELY long and sweaty day. Not bad, Urban Decay! (I wish they paid me, but they don’t.) Last shot is my favorite. I feel like I was really expressing myself! As always, I’m doing free advertising for Victoria’s Secret in this shirt. God damn it.

The other insight is that if you already know you’re not going to use the audio for a shoot, it’s really fun to bitch and complain about every pose while smiling 😀

Overall, this was a fun weekend, and of COURSE I used the finished product to plug this blog because what else even matters????

Bracket Holds!

Pop quiz: which is my bad side??? I know, I can barely tell either. (looooooool jk jk).

Half_Bracket_Hold_on_the_Pole.gif

After about 3 years of casually struggling every time I remember to try it, I finally got my half-bracket hold last night! I kind of credit this (along with all my other recent pole gainz) to doing pull ups. Seriously, the back, core, and shoulder strength you get from these is like having a pole super power. Highly recommend!

But aside from that, here are a few technical tricks that really helped me. Maybe they’ll do the trick for you too:

1. Use your elbow as a shelf for your rib cage

I always thought this was cheating. It’s totally not.

2. Retract your shoulders

SO key, both for execution and for the safety of your poor, hardworking shoulders. You can see on the right side of the video that my lower shoulder is scrunched up (not ideal).

3. Use your back

Once your grip feels safe enough to let go with the legs, use your back to arch a bit and pull your legs back and up (just like that back conditioning drill your teacher has you do on your stomach during warm ups!). I’ve found this changes your center of gravity and removes some of the strain from the lower arm. #magic

4. Turn your chest towards your lower arm

…or as my teacher Rica said, “turn towards the opening” which I found slightly confusing at first because OH GOD EVERYTHING’S OPEN I’M GOING TO FALL. Opening your chest and angling it out away from the pole really helps anchor your bracket hold and help you brace better. And again, opening my chest is something you can see I’m clearly not doing in the “fail” side of the video. Don’t be like me.

5. Start low

I was working on this hold with a class of other girls as part of a climb sequence and we all had some serious “Oh Shit” moments while attempting it from way too high a height. I’d definitely stick to one climb’s worth of height while getting comfortable with this move. You need to feel safe enough to get your legs away from the pole, and that’s asking a lot if you’re 6 feet off the ground. Bonus: if you fall from one climb up, it will be more like a tiny, adorable jump than a splat situation.

How do you feel about floats and bracket holds? I know some people have wrist and elbow issues that make this move a no-go. My forearms are definitely a little sore today, so I feel that. Also, how annoying is it that you just completely can’t do this with sweaty hands? It’s so all or nothing!

Drumroll: It’s called a Capezio!!

Harriet came through for me on this one–the weird move I was trying to describe (and did so very poorly) was called a Capezio (at least by my instructor, the hilarious and cool Rica at B&P) and possibly a dolphin by Angela’s teacher.

As Angela pointed out in the comments for the last post, this one’s great for intermediate beginners because there’s so many points of contact–but you do have to be comfortable enough in a thigh hold to lean back and regrip below your legs. Definitely a bit of a spooky experience the first time.

Here’s a video I shot 10 minutes before leaving for a belly show this weekend (hence the false eyelashes and pin curls). Yes, I arrived sweaty and late.

If you want to try this one at home, I definitely recommend practicing first 1. thigh grip sits with straight legs, then progressing to 2. leaning from one side to the other and noticing how you can lock in your legs with a “push pull,” 3. leaning back in this tilted “push pull” position with your top hand gripping near your waist and your bottom hand grabbing under your bum, and finally 4.  opening your legs into this jazz split/half stag position (but remembering to push against the pole with your top, bent leg).

This WILL hurt a little, and I have the crotch bruise right now to prove it. But it’s so cute!

If you try it send me a pic or vid!! I wanna see!

And speaking of pics, here’s some of the show the pin curls were for! We were channeling some Britney vibes circa Me Against the Music. Very fun 😀

The fabulous Maki moves created something called “cha-cha fusion” for us set to an Arabic version of “Perhaps, Perhaps, Perhaps.” We got to throw our hats, so obviously I was thrilled.

XOXO

Photos by Michael Ortiz: (except for the backstage shot, that’s someone’s iphone 😉

 

I SURVIVED, plus: hula hoop and burlesque???

Hey all!

I finally have a month off from school, and I’m on the mend from an illness that took me out of commission for the holidays, but I’m excited to start training again!!

No goals or resolutions as of yet except to get back on the horse. I want to focus more on dancing and quality of movement in general this year, not trying to beat my body into submission to perform tricks like show pony. That way of looking at pole just kind of makes me dread class, ya know?

I want to focus on flexibility and conditioning, and maybe take some modern dance/more ballet to work on that. My gym now has BARRE (did I mention that? I feel like I’ve been prancing around telling everyone who will listen) so it’s been really great to get that kind of conditioning in before and after work with my regular month membership, and without stressing about class packages at the pole studio.

How was everybody’s holidays??? Any pole goals or dope gifts? Tell meeee.

And to prove I’ve been busy, btw, check out the movies I’ve been making! Like seriously. I shot all of this footage and I edited it into videos. I had to buy microphones and shit. This has been so new and seemingly out of my depth, but it somehow got done. You’ll be amazed at what you can do when you have to!

This one’s a “journalism” style piece about a burlesque dancer I had never met until our first interview–and who I had two days only to shoot because my professor made me change topics last minute. Imagine my delight when I got to her rehearsal and realized she’s not a lyra-er trying burlesque for a the first time (a mutual aerial friend told me she was a “hooper”), but rather a long time hula hooper trying burlesque for the first time while incorporating hoop into her routine!

This chick was a total pro and an absolute joy to shoot and watch. Sadly this video captures only an iota of her talent, but still worth looking at!

And again, here’s the final cut of that PSA I made about women walking home at night (based on the true story of that time I got followed home in my neighborhood and my dad’s suggestion that I wear men’s clothes on the street to ensure my late-night safety).

Missed all of y’all, hope everybody’s doing well, in the studio and out!

I made a PSA about that time I got followed home!

This is the best part about having a creative major: you get to/are forced to use your personal experiences to make stuff!

The assignment was to make a fake PSA, so naturally, I did one about something I care deeply about: street harassment and safety.

As you guys might remember, I had a close encounter of the pervy kind last year. And my dad (meaning well) suggested that I start packing men’s clothing with me on dates so that I could pretend to be a dude on the way home and thus be left alone.

That struck me as deeply fucked up, because how is it we live in a society where gender=safety privileges, and that’s acceptable? Like, fuck that.

So I made a movie about it.

Anyway, this is my second film ever (!!!) so please excuse any glaring errors. #learning.

I’m in final projects hell at school right now but I plan to fully binge on pole for the entire month of January when I get a break.

Hope everybody had a nice Thanksgiving!

Baby’s first video for J-School and of course it features the pole

My classmates must be like… wut.

So the assignment was supposed to be telling a story using natural sound (ie. stuff that happens in a scene that you capture right while filming–not music of effects added after the fact). But, like… I had already asked my polin’ friend Irene to help me make a video for this class before I knew what the stipulations would be, so, this video was going to be about pole.

Sorry not sorry.

Huge thanks to my friends who did things at multiple angles over and over again, and a huge sorry to Irene whose dancing was very constricted by lack of light and the fact that I wasn’t allowed to pan for this project (ie. move the camera with her to capture her moves). She also ripped her leggings on an errant nail in my floor. I’m sorry my home is so ratchet and attacked your clothing, Irene 😦

Big ups also go to my PA Alan who played a game of freeze tag all day while we shot this because my floor was creaky and I was always asking him to move stuff out of the shot and then FREEZE or it would make noise captured by my giant, oddly phallic shot gun mic. The patience was next level.

This video is a hot mess but it was really fun to learn as we did it and pretend to be serious filmmakers. Here’s to more and better pole-themed movie-making in the future!

Extended butterfly: trials, errors, and falling on video.

Hey guys!

My friend Irene came over this weekend and we had a pole play date!

She was working on her butterfly, which motivated me to challenge myself too and attempt an extended butterfly. And also, with Irene there, I had someone to spot me/take me to the hospital if I busted my ass, so that was an extra incentive. (Spoiler alert: I did indeed bust my ass, and it’s on video. See below).

So I tried and failed a few different ways, and I’d love to get some poler feedback on technique here. (drop it below!)

On my first few failed attempts, I did my usual butterfly (top leg on the pole from ankle to knee pit, upper body turned out for opposition), but when I straightened my leg and slipped out to my ankle I lost the tension and… well… yeah.

Then I tried an (ugly) version where I hooked my knee first, which WORKED. I think it’s because the hook forced me into a straighter, more squared butterfly where my weight ended up directly overhead (instead of at an angle). With my weight pulling straight back when I stretched out into the extended version, my ankle locked in with the tension on my Achilles, which felt great, and shockingly, SECURE. (Before I was feeling the pull more on the side of my ankle, which felt (and obviously was) much less safe).

So I guess now I need to go back to the drawing board on my plain o’le butterfly and learn how to square it off WITHOUT the knee hook (because it really is ugly).

Aside from that we also working on cupids, and some cute Dirdy Birdy transitions that Irene brought clips of (and a notebook of moves with instructions because the girl is on her game. Seriously, I felt like such a slacker).

Don’t you hate when something that looks simple and easy takes more strength than going upside down?

(That thwacking sound is me hitting my knee, ps).

Irene of course did this beautifully, with much more an arch in the upturned, planky position. Which leads me to believe that hoopers have WAY more shoulder flexibility than the rest of us, and I should get on that.

Here’s DB working the trick: (or click this link to start at 2:03 in case the embed doesn’t take you there!)

What are you guys working on?! Any exciting new bruises?

Happy spring :D!

Personal Hell: The Musical!

I’ll be you guys thought this was going to be about depression but no–it’s about a show I’m getting ready for that’s based on Dante’s Divine Comedy, and guess what part our piece is about?

THE INFERNO.

Full disclosure: I have kind of hated every minute of learning this. It’s hard on your body (lots of stomping, neck circling, hunching, flopping, and spasming), and our “motivations” are really disgusting.

At varying times in the piece, these are the cues we’ve been given:

-“You’re puking in your hands here.”

-“You’re being electrocuted”

-“Satan is throwing you.”

-“Something is impaling you here (*gestures towards crotch*) and the it comes up and out of your mouth.”

-“You’re being stabbed.”

-Etc, etc, etc.

We’ve also been encouraged to think about our own version of “personal hell” for extra emotional motivation.

Of course Dani, who’s a friend as well as a teacher, called me out in class: “Cathy’s version of personal hell, for example, would be an eternity of hearing “Hey Cutie” on OkCupid.”

I had to agree with her.

(Quick slideshow of my personal hell: men in NYC.)

Anyway, we all feel kind of awkward acting this stuff out, but we taped the piece for the first full run through last night and I have to admit–it looks pretty creepy.

In other news: my favorite pole teacher has been on hiatus, so, after another bad intermediate class, I decided to focus on ballet barre and flex training as well as this Bellyqueen show for the time being. I hope she comes back soooooon!

And if you’re in the New York City area on March 29th/are really into demonic interpretive dance, here’s a link to more info on the full show! https://www.facebook.com/events/522870131186017/